OIL PAINTING GUIDES
A LOOK AT WATER-MIXABLE OIL PAINT
I resisted trying the new water-soluble (or ‘water-miscible’) oil paints for years. I figured I was a traditionalist, liked using proper oil paints and didn’t have a problem with having to dilute and wash them with linseed oil and spirits rather than water. I suppose I also rather assumed they couldn’t be as good as ‘normal’ oil paints.
However I recently read up about them a little and decided to give them a try, so I bought some Windsor & Newton ‘Artisan’ paints and here’s what I found….
HOW THEY ACTUALLY WORK
It’s surprising to learn that water-mixable (or ‘miscible’) oils actually still contain the exact same components as traditional oil paints. Just because they are mixable with water does not mean that they are water-based. Like all tubes of oil they consist of a pigment suspended in an oil binder (usually linseed oil) to make the right consistency and to ‘set’ the paint as it dries by oxidisation. They don’t actually contain any water or any strange new medium. Instead – and this is what is so clever about them – one end of the linseed oil molecule has been altered to make it able to bind loosely to water molecules and form a solution with water. It’s just the same linseed oil, but structurally altered at a molecular level.
Therefore unlike traditional oil paint, these new paints can be mixed, and cleaned with water just like acrylics (a combination of pigment suspended in an acrylic polymer emulsion), watercolour (pigment mixed with a binder such as gum arabic, with glycerin), gouache (more or less exactly the same as watercolour, but with a white pigment such as chalk added to make it opaque) or tempera (pigment mixed with an egg yolk binder, or some modern size). The advantages are actually considerable…. just a simple wash with water for both my brushes and my hands after handling the paints instead of scrubbing away with spirits and detergent. My clothes wouldn’t smell of paint. It would definitely make oil painting simpler.
WHAT ARE THE ADVANTAGES?
It is commonly suggested that the volatile solvent mediums used to dilute and clean oil paints are not good for us to either inhale or absorb through the skin. I haven’t looked into these health claims in any detail (it would be interesting to research into the general health and life expectancy of oil painters!) but certainly turpentine – now largely replaced with Artist’s White Spirit or Artist’s Mineral Spirits – is pretty toxic. Even the White Spirit that is substituted for turps these days gives me headaches when I breathe in too much of it because I haven’t ventilated the room well enough. Below you can see the wide range of water-mixable, non-toxic solvents that are now available to be used alongside the water-mixable paints.
I was interested to try these new paints and see if they really retained all the advantages of oils and the characteristics that make me love and prefer oil paint to other mediums such as acrylics. I love the ‘buttery’ texture of oils, the purity of the colour that doesn’t change when they dry, and the way they remain manipulable on the palette for long enough for you to make changes and work back into the paint.
Windsor and Newton’s Artisan paints
I tried this range of water-mixable oils that are usually the only type you can find in British art shops, with the exception of some specialist stores in central London. Windsor and Newton’s Artisan paints are widely available in most art stores as well as places like Hobbycraft. They come in a somewhat limited range of 40 different colours, which makes you think that they are perhaps aimed more at the amateur and hobby market than at professionals or very serious painters. Windsor and Newton are a good brand and I often use their traditional Artists’ Oil Colours range. The prices of the Artisan range compare favourably, but the range of colours for the Artists’ Oil Colours is much greater with a choice of 119 hues. Not that I usually use anywhere near this many different tubes of paint – though I did miss having a ‘flesh-coloured’ tint which is a good base for painting Caucasian skin that you can then mix with other colours. It would be helpful if they introduced this tint.
I didn’t find too much to complain about with the Artisan colours. The consistency was fine and the colours were not bad at all. It was definitely a bit of a revelation to be able to clean the brushes and all my other equipment (and myself) so easily! I imagine that once I’d got used to it I would never look back and wonder how I went through all the hassle of normal oils. These solvent-free paints and mediums would certainly also be preferable for anyone with small children around who might inhale the fumes, anyone pregnant or with solvent allergies. It would also be easier to work with the water-mixable oils if you were working outside, painting landscapes for instance as you could clean your equipment much more easily.
There are certainly other brands of water miscible oils to be obtained in the UK if you buy them online. The Germany company Lukas’ Lukas Berlin range of water-based oils have a spectrum of 30 colours. Like the Artisan range they also have a range of mediums available to be used with them. There is the Dutch company Royal Talens’ Cobra range. This is a very extensive range of 70 colours, again with various mediums also sold alongside them. They are more expensive than Artisan – in the UK at least – which suggests that they are probably higher quality. With art materials unlike many products in life, price is usually a reliable guide to quality as it indicates the types and quantity per tube of pigments used and the work that has gone into making them (how well the pigments have been ground, for example).
HOW YOU USE THEM
Let’s run through how you use the water-mixable oils, but first we need to explain how traditional oil paints are used. Oil paints are usually cleaned with Artist’s White Spirit (previously they were cleaned with turps until the toxicity of these were understood more recently) The same spirit is also used to thin the paint to the consistency you want to apply to the canvas. However if you add too much spirit, then the linseed oil in the tube which binds it to the pigment is diluted too much. The paint will become dull and matt and will also risk flaking off in future as there is insufficient oil in the mixture to bind and hold it together and keep it flexible as it slowly dries. Oil paint takes an amazingly long time to dry – it may appear touch dry within a few days but takes up to 70 years for all chemical changes to cease as the paint becomes fully oxidized and stable. So when adding spirits to your paint, you also add more linseed oil from a bottle – which may be a special Drying Linseed oil, if you want to speed up drying. There are other mediums such as Stand Oil and Liquin Medium that can be used, providing different consistencies, drying times, and colour finish (linseed oil can be a bit yellowing, so Poppy Oil may be used for lighter colours). Some people may prefer only to mix their paints with such glossy, oily mediums and not to add any spirits at all for thinning. Usually you use a mixture of the two to obtain the finish that you want.
The water-soluble paints are treated exactly the same way, except that you need to loosen and dilute them with mediums specially prepared for this type of paint. In theory you could use regular linseed oil or other traditional mediums (and can even mix water-soluble paint with regular oil paint) but this isn’t advised. The different chemical makeup of the water-mixable oils means that drying times will be vastly different between the two types of paint. Different drying times means that there’s a risk of your painting eventually becoming unstable, as the incompatible paints may contract separately and causing cracking.
MEDIUMS, MIXERS AND THINNERS
Windsor and Newton make a wide range of Artisan mediums to be used with Artisan paint. This includes a Water Mixable Fast Drying Medium, Water Mixable Linseed Oil, Water Mixable Stand Oil, Artisan Thinner, and even an Impasto Medium for painting really thickly. In other words all the typical mediums you might use with regular oil paint are available, but like the paints they are all water mixable so you can clean them with water too. Without a solvent base, they smell much better! All the usual rules on how to apply oil paint should be followed identically to traditional oil paint, including the famous fat over lean rule (see my guide to oil painting techniques).
CONCLUSIONS – OVERALL QUALITY
To conclude then with my opinions on my experiments with water-based oils. These paints certainly make oil painting easier, whether for the novice who isn’t used to oils, or the professional who wants to save some time, have an easier to clean workspace and less exposure to potentially harmful solvents. They don’t make the overall process of painting massively simpler however because for the reasons outlined above. You need to use a range of spirits and mediums with them just as you do with normal oil paints, rather than just thinning them with water as you would do watercolour, for example. But they do eliminate the smell of oils and cleaning up afterwards is infinitely easier.
In terms of quality I didn’t like the Artisan paints quite as much as the traditional Windsor and Newton Artists’ Oil Colour range or the Michael Harding Oil Paints that I usually use. However I don’t think this is because they are a water-miscible brand but rather that they simply aren’t quite the quality offered by some ranges. They seemed to me to be closer in quality to the Windsor and Newton student-grade Winton range, or the Daler-Rowney Georgian oil colours (student-grade paints will use less expensive and less finely ground pigments and a smaller amount of the pigment overall in the mixture, as well as providing less lightfastness and coverage) Or perhaps they were somewhere in between a student and a basic professional grade. I suspect Windsor and Newton think that people who want to use water-mixable paint are less likely to be professionals or serious painters, and have made an affordable range with cheaper pigments to market at beginners. Feedback on painting forums online from people who’ve tried other ranges suggests that Lukas Berlin or Cobra ranges are better quality and compare extremely well with top-quality oils, so I think this is what I’ll be experimenting with next. Cobra paints claim to be of artists’ quality, with the highest degree of lightfastness, 100% retention of brushstroke, and no colour transition from wet to dry. The Lukas Berlin range also supposed to be professional quality, though perhaps not as good as Cobra (judging from the price – which is a pretty good guide). However for the oil-painting beginner I’d say that Artisan is an excellent range to start with and a very good introduction to working with oils.
WHERE TO BUY WATER MIXABLE OILS
Artisan paints are easily available in most art or craft shops.
The other brands mentioned are available from these UK online Retailers:
http://www.lawrence.co.uk and http://www.greatart.co.uk sell Lukas Berlin Water-Mixible oils
http://www.greatart.co.uk and also http://www.pullingers.com sell Royal Talens’ Cobra oil paints, and the latter has some good deals on box sets.
A USEFUL VIDEO ABOUT ARTISAN PAINTS…….